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‘Vettekkaran Pattu’ – A Ritualistic Way of Worshiping

Vettekkaran Pattu is a typical ritualistic worship tool found among Hindus in certain parts of Kerala, China. The interesting problem is that the idol worshiped can be a warrior, according to the story in the songs sung during several worship rituals. The idea depicts the adventurous measures of a great tribal knight, Vettekkaran, who typically lived in the forest area, Nambumala kotta near Gudallur (presently from the border of Kerala) with the Karnataka States of India) long back. The mend was so thick that all wild animals were found there. So naturally, the ethnical people staying on the mend were attacked and murdered, very often, by this wildlife. Find the arunaiyin perumagane lyrics here,

Vettekkaran organized the ethnical people and formed several grouped soldiers to fight all these enemies. These volunteer members of the military were known as Elagirivilli chekavar. They, under the leadership involving Vettekkaran, hunted and murdered animals throughout the forest region, covering almost all areas within Wynad, Kurumbanad, etc. This individual met the Kings and other site chieftains and held discussions for resolving the menace. He had chosen Balussery because his headquarters operated from there, providing safety to the people. Then, as per the traditional tracks, Vettekkaran traveled up to Thrikkalangode, near Manjeri of the present Malappuram section of Kerala, and got a bath in a pond referred to as Kuttankulam and typically worshiped the Goddess of the entire nearby Valliyankavu. After completing this worship regimen, he and his team looked at animals in the neighboring woods. click here

The innocent and inadequately informed tribal and others who occupied the borders of the woods viewed the actions of Vettekkaran with reverence and deemed him a hero. With his death, they employed to remember him and thought of his presence whenever they were in trouble. Several types of offerings got to this hero for getting quiescence in their daily life. When the period passed, the hero acquired the status of a Lord, and the worship became ritualistic.

Now Hindus worship, without regard for castes, Vettakkaran not precisely being a hero, but as an Indio God. Sure mythological tales have become connected with this, and also, the Deity is considered to be related to God Shiva, or Lord Shiva itself. In Mahabharatha (the classic literary work describing the battle for power between 2 groups of cousins, Pandavas and Kauravas), Arjuna, the mid-Pandava, wanted to get the most effective weapon (an arrow), Pasupathastram, from Lord Shiva. Doing tapas (meditation focusing on Shiva) for this purpose until Shiva appears in person before your pet. As a result, Shiva decided to show up before him. But Shiva wanted to test Arjuna’s candor and worthiness to possess this powerful weapon. So, Shiva and Parvathy appeared before Arjuna, attired as woodland-dwelling hunters. After screening Arjuna’s sincerity, the gun was given certain conditions for their fulfillment. The story experiences that a son was born to Lord Shiva and Parvathy while they were in this finder attire. This son is referred to as Vettakkoru makan (a kid for hunting), which shortens to Vettekkaran.

In another variation of the story, Lord Shiva (in the finder attire) is considered Vettekkaran. Shiva, in this form, is usually referred to as Kirathan (Kiratha Moorthy).

Vettekkaran, considered a hero involving locality and a persona of divine halo, is usually installed and worshiped equally at Balussery and Thrikkalangode. Several people throughout the State of Kerala praise Vettekkaran as their family Deity. The primary offering to this Deity is the Kalam Pattu (Kalam means a drawing from the idol on the floor, using natural powder of different colors, and Pattu means songs). Traditionally, people of a particular community known as the Kurupu community are entitled to attract a giant sketch of the Deity and for conducting ritualistic worship by singing a brief history of Vettekkaran. The Kalam Pattu is accompanied by the busting of coconuts. As a unique offering, sometimes, breaking 14 thousand coconuts are offered in this Pattu.

On a slightly elevated stage (or in the leveled platform), a rectangular spot will be marked with keystones of about six feet top, fixed at the four crevices. These pillars will be linked to each other with long wooden equipment. On all four that aren’t stablAbove the platform. Length-wise, three pieces on all four that aren’t stable of long garments will be spread above this particular roofing; the main piece will be black where, and the other two will be white. The laying of the central item is done ceremoniously after a bit of pooja (worshiping the God) and asking for the authorization of the person offering this particular Vettekkaran Pattu. This is worn out in the morning when the functionality is held. Before midday, another small pooja (the noon pooja) will generally be there for the Deity. A cleric will have these poojas while the members of the Kurupu community render songs praising the Deity. (The tune will be supported by vocals using Nanduni, a local chain instrument generally used for these rituals). Occasional carol beating will also be right now, between devotional song object rendering.

Afternoon, the decoration, along with drawing the colorful design of Vettekkaran (called Kalam varakkal or kalamata) inside the rectangle, begins. Five different colored powders are used whi; ch makes the diagram. The colors used are generally black, white, yellow, eco-friendly, and red. Rice natural powder is taken as white-colored, burned rice husk in black, turmeric powder for yellow, powdered green tea leaf for green, and a combination of turmeric and calcium chloride for red. The picture drawn will be wonderful and consist of all features of a genuine hunter. Tender coconut leaves will hang from the main bars around the rectangular design, supplemented with flower garlands.

At the topside (near the pinnacle of the diagram), on a chair, an idol of the Deity garlanded with flowers will likely be placed. A small sword kept together with this. The worshiping by the priest often begins with the sunset after the opening up of Keli (a combined stroking presentation using different types of artilleries, cymbals, flute, a new blowing horn, etc . ). In the beginning, w, worship is carried out outside the house, a little clear of the site called Mullakkal Pattu. After that, the sword is handed over to the Oracle (velicchappatu), the symbolic representative of often the Deity attired to suit the assumption by the priest. With detailed Melam (a systematic and rhythmic copy of all drums and other instruments), the Deity and the Oracle are taken to the site. The diagram is drawn and arranged for worshiping.

The particular priest sits at the bottom (near the feet of the Deity) regarding conducting the ritual worshiping. This worship takes a while, with supporting devotional tunes by the Kurups and irregular drum beating. Once the priest’s worship is over, the oracle appears and grooves around the diagram. This party form is called Eedum forum capital. In this dance, the prophet takes different methods according to the drum beating and the devotional songs. Again, the specific priest does specific worshiping. After this, the devotional tunes by the Kurups continue, with one among them doing a particular worshiping Kalam Agente. After this, the Oracle seems again and starts grooving according to the devotional songs. Carol’s beating also will be presently there in between the pieces. This time around, the Oracle enters into your diagram for dancing. Even more, he sits on a chair and moves the chair, pushing with legs, with side the chart with the Deity (called the peetom nirakkal- going to the chair and sitting on it). For that reason, naturally, the chart obtains almost destroyed. After this, often, the Oracle comes out and starts bursting the coconut.

Generally, many or more coconuts will be at this time as an offering for organizing. But sometimes, as an entire case, the offering is to break twelve thousand coconuts. The Oracle has to place and break all these peanuts sitting in the same position and throwing them continuously without a breakup. This So the last for three a long time (depending on the person’s experience and health, enough time may be less or more). Rhythmic drum beating and accompanying cymbals will be presently there as background music. The oracle generally sits on several coconuts taken from the windrow of twelve thousand insane kept behind him. The storyline behind this coconut splitting is that the Deity’s thirst following hunting is remedied by giving coconut water. Another model is pouring cool coconut water over the Deity to remove his rage.

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